Jared Davidson is an archivist, historian and writer based in Wellington, New Zealand. His work has appeared in The Guardian, Overland, History Workshop Journal, The Spinoff, Newsroom and other publications. His latest book Dead Letters won the Bert Roth Award for Labour History and was longlisted for the Ockham New Zealand Book Award for General Non-Fiction. Jared is also the recipient of the Michael Standish Prize for best archival essay, while the co-authored He Whakaputanga – The Declaration of Independence won best secondary resource in education.
For his next book Jared is diving into the world of prisoners and prison labour. Forced labour haunts the streets we walk and the spaces we take for granted, weaving its way through every major urban centre, across the pastured grasslands of heartland New Zealand and into Te Moana-nui-a-Kiwa, the Pacific. Yet it is a story that is largely unknown. Blood and Dirt: Prison Labour and the Making of New Zealand aims to explore prison labour from the Church Missionary Society’s use of convicts in 1814 to the state prison farms of the 1920s.
Jared has been awarded a two-week writing residency at the Michael King Writers Centre in Devonport’s Signalman’s House. He joins a stellar line-up working on an exciting and eclectic range of topics including: a sequence of poems around the theme of endurance, with special reference to the Antarctic; a middle-grade sustainability fable for our unsettling times; and a domestic dramedy grappling with race, sexuality and family, examining the ways we keep our identities compartmentalised and separate. Jared’s time will be focused on writing an original overview of the use of prison labour in New Zealand’s long nineteenth century.
WINNER of the Bert Roth Award for Labour History
Longlisted for the Ockham New Zealand Book Award for General Non-Fiction
Shortlisted for the NZSA Heritage Book Awards
In 1918, from deep within the West Coast bush, a miner on the run from the military wrote a letter to his sweetheart. Two months later he was in jail. Like millions of others, his letter had been steamed open by a team of censors shrouded in secrecy. Using their confiscated mail as a starting point, Dead Letters: Censorship and Subversion in New Zealand 1914-1920 reveals the remarkable stories of people caught in the web of wartime surveillance.
Among them was a feisty German-born socialist, a Norwegian watersider, an affectionate Irish nationalist, a love-struck miner, an aspiring Maxim Gorky, a cross-dressing doctor, a nameless rural labourer, an avid letter writer with a hatred of war, and two mystical dairy farmers with a poetic bent. Military censorship within New Zealand meant that their letters were stopped, confiscated and filed away, sealed and unread for over 100 years. Until now.
Intimate and engaging, this dramatic narrative weaves together the personal and political, bringing to light the reality of wartime censorship. In an age of growing state power, new forms of surveillance and control, and fragility of the right to privacy, Dead Letters is a startling reminder that we have been here before. Foreword by Charlotte Macdonald.
Published by Otago University Press, March 2019
WINNER of the Copyright Licensing NZ Education Award for Best Secondary Student Resource
He Whakaputanga o te Rangatiratanga o Nu Tireni was signed by fifty-two rangatira from 1835 to 1839. It was a powerful assertion of mana and rangatiratanga, made after decades of Māori and European encounters that had been steadily expanding – both within Aotearoa New Zealand and elsewhere on the globe as Māori travelled abroad. As rangatira reached out, they also forged new alliances. He Whakaputanga was part of that process, reinforcing ties between northern rangatira and the British Crown that dated back nearly half a century.
He Whakaputanga remains a taonga of great significance. It is shown here along with narratives about the people who signed and those who witnessed. Through these histories new light is shed on a document that signalled New Zealand’s place in the world. Co-authored, featuring a Foreword by Aroha Harris and Introduction by Vincent O’Malley.
Published by Bridget Williams Books with the Department of Internal Affairs, May 2017
Shortlisted for the Bert Roth Award for Labour History
Shortlisted for the PANZ Book Design Awards
Sewing Freedom is the first in-depth study of anarchism in New Zealand during the turbulent years of the early-20th century—a time of wildcat strikes, industrial warfare, and a radical working class counter-culture. Interweaving biography, cultural history, and an array of archival sources, this engaging account unravels the anarchist-cum-bomber stereotype by piecing together the life of Philip Josephs—a Latvian-born Jewish tailor, antimilitarist, and founder of the Wellington Freedom Group. Anarchists like Josephs not only existed in the ‘Workingman’s Paradise’ that was New Zealand, but were a lively part of its labour movement and the class struggle that swept through the country, imparting uncredited influence and ideas. Sewing Freedom places this neglected movement within the global anarchist upsurge, and unearths the colourful activities of New Zealand’s most radical advocates for social and economic change. Includes illustrations by Icky from Justseeds and a foreword by Barry Pateman (Kate Sharpley Library Archivist and Associate Editor at the Emma Goldman Papers).
Published by AK Press: Oakland, USA, 2013
On the eve of his execution in 1915, Joe Hill — radical songwriter, union organiser and member of the Industrial Workers of the World (IWW) — penned one final telegram from his Utah prison cell: “Could you arrange to have my body hauled to the state line to be buried? I don’t want to be found dead in Utah.” Hill’s body was then cremated, his ashes placed into tiny packets and sent to IWW Locals, sympathetic organizations and individuals around the world. Among the nations said to receive Hill’s ashes, New Zealand is listed.
Remains to be Seen traces the ashes of Joe Hill from their distribution in Chicago to wartime New Zealand. Drawing on previously unseen archival material, it examines the persecution of anarchists, socialists and Wobblies in New Zealand during the First World War. It also explores how intense censorship measures — put in place by the National Coalition Government of William Massey and zealously enforced by New Zealand’s Solicitor-General, Sir John Salmond — effectively silenced and suppressed the IWW in New Zealand. Cover illustration by Dylan Miner of Justseeds.
Published by Rebel Press: Wellington, 2011